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Please take note of the exceptionally articulate MrSpeakers Ether Flow headphones. With just a few good ideas and the passion to live and breathe headphones, MrSpeakers is much more than a one-man band. It is the plucky upstart that went from modding existing headphones to creating its own with just a few good ideas and the passion to live and breathe headphones. However, even if you stopped eating avocados for a decade, you still couldn’t afford a pair of the $1,800 Ether Flows.<\/p>\n

The MrSpeakers Aeon Flow is the younger, lighter, cheaper sibling to the MrSpeakers Ether Flow. The Aeons are based on custom planar magnetic drivers and are available in a carbon fiber closed-back design or a mesh-covered open-back design. There is also family affinity in the nitinol headband and the cable connectors that are the same on all four models. What are the differences? Designed to better follow the contours of the listener’s ear, the Aeons cost $799. Additionally, they sound drastically different – both from Ether models as well as from each other.<\/p>\n

The Open and Closed Aeon Flow models share the same internal technology, but they are fundamentally different. You are given the cold, hard facts of your music by The Closed without being frightened or tempted to sweeten it in any way. I’d describe them as Scandinavian minimalism. Warming up the bass, softening the treble, and winking at you deceptively, the more polite cans offer more opulent sounds. Southern hospitality meets Mediterranean elegance.<\/p>\n

It’s easy to fall for the Aeon Flows in both variants, and it’s hard to put them down. I’ll have the Aeon Flows on my short list of headphones under $1,000 the next time I’m asked for my recommendation.<\/p>\n

I confess that I did not enjoy the Aeon Flow Closed at first since it was my first Aeon review pair. There were deep D-shaped cups, luxuriously soft pads, and a simple and creak-free design, which made the bra extremely comfortable. But the noise was too much for me.<\/p>\n

Closed Aeons have a stripped down sound, without any niceties to ease the listener in. Anyone used to headphones tuned for relaxed pleasure listening (which, I must remind you, is the majority of people) will feel like they have encountered a chasm in frequency response because of the absence of the usual bump in the mid-bass and lower mids. Consequently, I waited for MrSpeakers to release the open Aeons before I posted the closed Aeons.<\/p>\n

Everything that was wrong with their closed sibling was fixed by the open Aeons. It gives a satisfying warmth to things that would sound almost metallic on the cooler closed Aeons, despite the subtle bass exaggeration. Aeon Flow Open sound basically perfect for most pleasure listeners with only a little trimming on treble frequencies. Despite their presentation, they don’t fatigue, and their sound feels faithful, organic, and realistic. There is also a wider soundstage in open Aeons than in closed Aeons.<\/p>\n

Over the long run, I’ve fallen in love with the closed Aeon Flows.<\/p>\n

It’s not because I’m a contrarian – well, it’s more than that. With a $799 price point, the Aeon Flows are just about within reach of aspiring audiophiles to make them their one and only purchase. For the moment, let’s pretend that audiophilia isn’t an expensive rabbit hole. The only headphones I’d buy if I had to buy only one would have to be exceptional. These aren’t exceptional headphones. It is a very good pair of headphones that sound like many other very good headphones, although most of them are considerably more expensive. But there are plenty of alternatives to the Aeons that are of comparable quality for less or as much money: Audeze’s LCD2 Classic, AudioQuest’s Nighthawk, Focal’s Elear, and Sennheiser’s HD 600 series come to mind.<\/p>\n

MrSpeakers Aeon Flow Closed headphones are unlike any other headphones.In the past, I was put off by the sound signature, but now it’s what keeps me coming back. Although it seems lacking at first, the bass is simply uncluttered and uncongested. As with the way your teeth feel before and after a visit to the dentist, there is a difference in the bass presentation with the closed Aeons. In contrast, the latter feels unnatural since it’s not what you’re used to, but it’s cleaner. The closed Aeons have a clinical quality, which is often used to criticize headphones without enough excitement. I recommend giving them a shot.<\/p>\n

Their sub-bass extension sets them apart from other sub-$1,000 headphones: these headphones can go deeper than Sennheiser’s HD600, HD650, and HD660 can dream of. I’m sensitive to headphones that lack bass, which is why Grado’s range and Sennheiser’s latest HD 660s are profoundly unappealing to me, but the closed Aeons don’t do that. My music has more bass than they are willing to tell lies about. Additionally, I adore them because they refuse to compromise on the quality of the bass.<\/p>\n

Their sparse sound, with little in the way of extraneous effects, allows each instrument or vocal to be heard clearly, and exposes everything in the recording to the best of their ability. A seemingly minor, but representative example of this is the way that crackling vinyl (as recorded on digital versions of songs) sounds when played through these cans. You instantly recognize it as vinyl. The same can sometimes sound like distortion or garbling on the twice-as-expensive and open-back Ether Flows. In most cases, open-backed headphones – which don’t have to deal with unwanted reflections inside the ear cup – produce the kind of distortion-free, organic, and realistic sound the Aeon Flow Closed provides.<\/p>\n

There are a number of rivals in the Aeons’ price range, but Audeze’s LCD2 Classic is the strongest. In my opinion, the LCD2Cs are an open version of the closed Aeon Flow, with better soundstage but not quite the same sound signature as the closed Aeon Flow. Audeze’s headphones are much heavier, however, so I wouldn’t be able to wear them for a dozen hours like I have with both pairs of Aeon headphones. Although AudioQuest’s open-back NightHawks are super comfortable and just $399, they cannot compete with the resolution and precision of either of the Aeon models. Aeons are a great option at $349, but Audio-Technica’s R70x, which I recently reviewed, don’t boast the same level of sonic refinement or tactile luxury.<\/p>\n

\n

While neither pair of Aeon headphones has the required sound isolation for use in a shared office setting, the open-back design is clearly the better choice for working at home. It’s impossible to do something else while I listen to Aeon Flow: its sound is too direct and forthright to fade away. Regardless of which Aeon you prefer – and the sound is the only difference; fit and comfort are identical – you’ll want to pair it with a powerful amplifier. Your phone’s audio dongle won’t be able to play these loudly enough. My Woo Audio WA7 tube amp has been working well for me.A nice hard carrying case is provided with each pair of Aeon Flows by MrSpeakers. Because it’s sleek and offers protection, I’m a big fan. The detachable DUM (Distinctly Un-Magical, in MrSpeakers lingo) cable is stiffer than the one I tested with the Ether Flows and does not produce any noise when rubbing against clothing. The cord could be improved, however, as the braided webbing on its exterior makes for unsightly bulges, and it’s prone to fraying. An adapter with a 6.35mm screw-on termination and 3.5mm termination is included.<\/p>\n

The Aeon Flow models come with four sets of tuning filters, which are simply pieces of precut materials – some foam, some felt, and some more dense – that you insert inside the ear cups in order to adjust the volume. The idea is to thicken up the bass for those who want more and to reduce the treble response for those who don’t. In my experience, none of them provided a significant improvement over the Aeon Flow pair. Getting bassier headphones is as simple as buying them.<\/p>\n

\n

Both Aeon Flows sounded veiled because of these extra layers, but the headphones were also less comfortable as a result. Both Aeons wrap beautifully around my ears without any inserts, leaving little space between the pads and my ears. My ear ends up touching the inserts when they are in, and that contact reduces the Aeon Flow’s comfort to the point of being borderline perfect. Only the AudioQuest NightHawk and NightOwl cans have I enjoyed wearing as much as these.<\/p>\n

For me, a great pair of headphones is when their sound feels completely satisfying, when the constant curiosity about how they compare to others disappears. These headphones are among the best of their kind. My experience with MrSpeakers’ Ether Flows, Focal’s Utopia, Audeze’s MX4, and Sennheiser’s HD 800 S is extensive, and yes, those more expensive headphones are technically superior – wider in their soundstage, more detailed in defining the individual instruments, and more refined in their expression – but it does not diminish my appreciation of the closed Aeons. By competing along more conventional lines, they lose the character and uniqueness of the closed, but carry over the same profoundly competent and distortion-free performance of the closed.<\/p>\n

Those looking for a good set of genre-agnostic hi-fi headphones that live up to their price tag should consider the Aeon Flow Open. Despite being light and easy to use, it offers some of the same features as more expensive headphones. Choosing it is a wise decision.<\/p>\n

On the other hand, the Aeon Flow Closed is what I’d want for myself. A little bit addicted to its unflinching realism, pedantic detail retrieval, and exceptional sub-bass performance.<\/p>\n<\/div>\n

<\/div>\n
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